BOMMLAKOLUVU - 2

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Vijay Raghavan said…
Padmini

Very Nice. Lot of Variety.
1 November 2010 at 06:28
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Panduga Sayanna-The Robinhood of Telangana

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“ Unnolani Kottindu, Lenolaku Pettindu Pandaga Sayanna Vadu Rajulaku Monagudu”                            ------------Telugu Verses “Grabbed from the haves Distributed to have-nots                                 That is Pandaga Sayanna Greater than Kings”. He grabbed, seized, robbed, and looted the wealth from big shots and distributed it equally among the poor, deprived, and have-nots. He along with his gang blocked the highways and looted the wealth. Who is he???? These are the first four lines of the first stanza of a heroic ballad on Pandugolla Sayanna sung by a Dakkali folk artist using the Kinnara Instrument. Pandugolla Sayanna or Pandaga Sayanna belongs to Pa...
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Tamasha Folk Theatre of Maharashtra

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Tamasha is a traditional Marathi folk art form. It includes both singing and dancing forms. It is widely performed theatre groups within the state of Maharashtra, India. It is in fact a mobile theatre that goes to different regions of Maharashtra. The word ‘Tamasha’ is Persian origin meaning ‘to have fun or to play’. Today, this word is commonly used in Hindi, Marathi, Kannada and Urdu. Again, some have researched the origin of the word Tamasha to Turkish langaugeand has entered into urdu and finally borrowed from Urdu to Marathi. In Marathi the word Tamasha means 'A mixtures of specialized performances like dance, music, different enactements or roles by women or girls, participation of women, and singing lavanis'. I wonder how Persian or Turkish languages have influence Marathi. This folk art from is so very deep rooted in rural Maharashtra for more than eight-nine centuries that it is quite difficult to say when this Tamasha was first staged. This art form is cal...
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Dakkebali -Sri Khadgeshwari Brahmasthana, Padubidre

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  Dakkebali is a form of snake worship also known as Nagaradhane. Dakkebali ritual is practiced in the town of Padubidri in the Udupi district, Karnataka, India. Padubidre Brahmastana as it is known as a place of Shakti worship in Parashurama Kshetra located on the west coast of Southern India in Tulunadu of Karnataka State. The festival is held once two years. This pooja is performed for Naga, Bramha, Raktheshwari, Nandikonna, Haygulli, Kshetrapala, Bagilu Bobbarya, Motukalu Bobbarya, and Yakshi. The festival starts from the Makara maasa (normally 14th January) and continues till the end of Meena maasa i.e., the 2nd week of March. It is a rare place of Shakti worship, which has retained the age-old custom and practices, which trace their origin back to the Vedic Ages. The belief system has manifested right from Vedic Age. However, there has been a transformation in a belief system that has gradually grown towards nature worship, naga worship, evolving customs, practices, and ...
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Disappearing Folk art of Telangana

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Disappearing Folk art of Telangana Sarada Kala Rupam- Oral Narrative Folk Art Form of Telangana Region Introduction: One of the distinctive folk art forms of Telangana region is ‘Sarada’ art form popularly known as Sarada Kala Rupam. ‘Sarada’ is synonymous for Goddess Saraswati. ‘Sarada’ is the string instrument used by these folk artists in ballads. By playing sarada string instrument these balladeers- story narrators or in simple words story tellers narrate nearly seventy stories in song form. As these balladeers use Sarada string instruments, they are known as ‘Sarada Ganalu’.                   Here is the picture of Saradagallu from Mehaboobnagar, Telangana State. In some regions they are also known as ‘Jangam-storyteller’. This is because; as per researches, it is still not very clear to which caste these Sarada balladeers belong to, they are considered as a sub caste of Schedule Caste (SC) community. Again, sarada caste is...
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Oggu Katha - Oral Storytelling Theatrical Performance of Telangana

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Oggu Katha is a traditional folklore singing praising and narrating the stories of the Hindu God Mallana. Mallanna Katha which is performed by the Oggu Pujarulu (minstrels) to their patron community, the seven Kurumas / Gollas. Mallanna Katha is their caste myth, which narrates the exploits of Mallanna their caste hero. As the Mallanna Katha is narrated using a particular percussion instrument called as "Oggu" by "Oggu Pujarulu" it is popularly termed as Oggu Katha.  In other words, Oggu Katha is the style of narration, which belongs to a distinct genre with an admixture of song-speech-dance-sequence performed by 5 to 7 performers having a lead narrator within them. They also narrate stories on  Beerappa,  Yellamma, Pedaraasi Peddamma Katha. It is one of the well-known folk art forms of the Telangana region.  It originated among the Yadav & Kuruma Golla community, who devoted themselves to the singing of ballads in praise of Lord Siva. Oggu ...
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Significance of Kara Hunnime celebration in Karnataka

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Full Moon day is referred to as Hunnime. According to the Hindu almanac, each full moon day, new Moon day, and Ekadasi are given a specific name. Each of them possesses a significant meaning that is connected to the history of mankind. On the 17th of June 2019, the celebration of Kara Hunnime, also known as the full moon day of Jyestha, took place. The day of the full moon is being celebrated in certain regions of the state of Karnataka in India. This is the first full moon day that has occurred in this region since the beginning of the monsoon rains. Because of this, the full moon on this day is celebrated with a particular emphasis on cattle The farmers celebrate this kaara Hunnime as a sign that the summer season has come to an end and the monsoon season is about to begin. Women of the community gather in the morning to pray to the Pipal tree as a group by tying sacred threads all around the tree. Also, as a part of the worship, you should present the sweet treats that...
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Bare Upper body as a Rule for Women in Kerala

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I participated in a National Seminar Organised by P.S Telugu University, Hyderabad on “Indian Literature and Dalit Culture” on October 29-31, 2012. One session dealt with the Mayalaya Dalits condition and subjudication to various kinds of atrocities especially women. Can one imagine such things being imposed in a country like India which stands for rich culture, tradition, and heritage? More so with Kerala state-God’s own Land. We today oppose to various fashion shows, Miss Universe, Miss World Contests, and undervalue if girls are dressed in jeans, or short skirts with spaghetti tops and so on. One paper by Ms. Maria Kutty Joseph moved me. It was like suddenly shocking jerks I received. I had read some aspects about Kerala Culture, dress, food, status of women and so on. I never imagined the torture on women especially lower caste women would be so horrible in the19th century or prior to it. No doubt, Brahmin women also underwent the same sorts of torture within four walls....
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