Magic In Our Hands - Part 8 - Sustainability

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https://youtu.be/7eE3zFe9qd4

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Tamasha Folk Theatre of Maharashtra

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Tamasha is a traditional Marathi folk art form. It includes both singing and dancing forms. It is widely performed theatre groups within the state of Maharashtra, India. It is in fact a mobile theatre that goes to different regions of Maharashtra. The word ‘Tamasha’ is Persian origin meaning ‘to have fun or to play’. Today, this word is commonly used in Hindi, Marathi, Kannada and Urdu. Again, some have researched the origin of the word Tamasha to Turkish langaugeand has entered into urdu and finally borrowed from Urdu to Marathi. In Marathi the word Tamasha means 'A mixtures of specialized performances like dance, music, different enactements or roles by women or girls, participation of women, and singing lavanis'. I wonder how Persian or Turkish languages have influence Marathi. This folk art from is so very deep rooted in rural Maharashtra for more than eight-nine centuries that it is quite difficult to say when this Tamasha was first staged. This art form is cal
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Dakkebali -Sri Khadgeshwari Brahmasthana, Padubidre

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  Dakkebali is a form of snake worship also known as Nagaradhane. Dakkebali ritual is practiced in the town of Padubidri in the Udupi district, Karnataka, India. Padubidre Brahmastana as it is known as a place of Shakti worship in Parashurama Kshetra located on the west coast of Southern India in Tulunadu of Karnataka State. The festival is held once two years. This pooja is performed for Naga, Bramha, Raktheshwari, Nandikonna, Haygulli, Kshetrapala, Bagilu Bobbarya, Motukalu Bobbarya, and Yakshi. The festival starts from the Makara maasa (normally 14th January) and continues till the end of Meena maasa i.e., the 2nd week of March. It is a rare place of Shakti worship, which has retained the age-old custom and practices, which trace their origin back to the Vedic Ages. The belief system has manifested right from Vedic Age. However, there has been a transformation in a belief system that has gradually grown towards nature worship, naga worship, evolving customs, practices, and ritu
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“ Unnolani Kottindu, Lenolaku Pettindu Pandaga Sayanna Vadu Rajulaku Monagudu”                            ------------Telugu Verses “Grabbed from the haves Distributed to have-nots                                 That is Pandaga Sayanna Greater than Kings”. He grabbed, seized, robbed, and looted the wealth from big shots and distributed it equally among the poor, deprived, and have-nots. He along with his gang blocked the highways and looted the wealth. Who is he???? These are the first four lines of the first stanza of a heroic ballad on Pandugolla Sayanna sung by a Dakkali folk artist using the Kinnara Instrument. Pandugolla Sayanna or Pandaga Sayanna belongs to Palamooru also known as Mahaboobnagar District, Telangana Region, Andhra Pradesh. He was the Messiah of the poor. But for Pandugolla Sayanna   “The Poorest among the poor is not one”. Again, he called “women the poorest among the poor”. A Century ago, many poor could afford for two
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