Dolls Festival-Navarathri 2014

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Panduga Sayanna-The Robinhood of Telangana

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“ Unnolani Kottindu, Lenolaku Pettindu Pandaga Sayanna Vadu Rajulaku Monagudu”                            ------------Telugu Verses “Grabbed from the haves Distributed to have-nots                                 That is Pandaga Sayanna Greater than Kings”. He grabbed, seized, robbed, and looted the wealth from big shots and distributed it equally among the poor, deprived, and have-nots. He along with his gang blocked the highways and looted the wealth. Who is he???? These are the first four lines of the first stanza of a heroic ballad on Pandugolla Sayanna sung by a Dakkali folk artist using the Kinnara Instrument. Pandugolla Sayanna or Pandaga Sayanna belongs to Palamooru also known as Mahaboobnagar District, Telangana Region, Andhra Pradesh. He was the Messiah of the poor. But for Pandugolla Sayanna   “The Poorest among the poor is not one”. Again, he called “women the poorest among the poor”. A Century ago, many poor could afford for two
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Tamasha Folk Theatre of Maharashtra

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Tamasha is a traditional Marathi folk art form. It includes both singing and dancing forms. It is widely performed theatre groups within the state of Maharashtra, India. It is in fact a mobile theatre that goes to different regions of Maharashtra. The word ‘Tamasha’ is Persian origin meaning ‘to have fun or to play’. Today, this word is commonly used in Hindi, Marathi, Kannada and Urdu. Again, some have researched the origin of the word Tamasha to Turkish langaugeand has entered into urdu and finally borrowed from Urdu to Marathi. In Marathi the word Tamasha means 'A mixtures of specialized performances like dance, music, different enactements or roles by women or girls, participation of women, and singing lavanis'. I wonder how Persian or Turkish languages have influence Marathi. This folk art from is so very deep rooted in rural Maharashtra for more than eight-nine centuries that it is quite difficult to say when this Tamasha was first staged. This art form is cal
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Oggu Katha - Oral Storytelling Theatrical Performance of Telangana

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Oggu Katha is a traditional folklore singing praising and narrating the stories of the Hindu God Mallana. Mallanna Katha which is performed by the Oggu Pujarulu (minstrels) to their patron community, the seven Kurumas / Gollas. Mallanna Katha is their caste myth, which narrates the exploits of Mallanna their caste hero. As the Mallanna Katha is narrated using a particular percussion instrument called as "Oggu" by "Oggu Pujarulu" it is popularly termed as Oggu Katha.  In other words, Oggu Katha is the style of narration, which belongs to a distinct genre with an admixture of song-speech-dance-sequence performed by 5 to 7 performers having a lead narrator within them. They also narrate stories on  Beerappa,  Yellamma, Pedaraasi Peddamma Katha. It is one of the well-known folk art forms of the Telangana region.  It originated among the Yadav & Kuruma Golla community, who devoted themselves to the singing of ballads in praise of Lord Siva. Oggu
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