Puppet Play on 'Building Women supportive group as a measure towards Sexual Harassment, Rape, molestation and abuse'

-

This day was a terrific day last year, what happened was a shameful act against women of the world. Well, Voices from all fronts, from all media, all corners did bring a spark that ignited the change to happen that changed India- the Nirbhaya protests. As per sources from print media, it was for the first time in our history, tens of thousands of people took the streets for the safety of women.

In order to educate, bring in awareness on women's right, safety --Sphoorthi Theatre for Educational Puppetry did organized Puppet plays in Hyderabad and Mahaboobnagar on raising voices towards "'Building Women supportive group as a measure towards Sexual Harassment, Rape, molestation and abuse''

Today as the day comes again, my request to all mothers who are worried about their daughters' safety please trust them. Thus the primary support that is needed for them. Others do extend your emotional support.

Today's vast avenues opened up in social media empowers all of us to make our voices reach to deaf ears on 'women's safety'. Share this post on your FB /Tweeter/ G+/ through e-mails. This will show your friends, family and their friends what you stand for. It will give them an opportunity to join you and stand up in solidarity with Nirbhaya and women everywhere.

We need to make this world safe and secure for all our sisters, daughters and of course to all our mothers.

 



Comments

Post a Comment

Popular posts from this blog

Panduga Sayanna-The Robinhood of Telangana

-
Image
“ Unnolani Kottindu, Lenolaku Pettindu Pandaga Sayanna Vadu Rajulaku Monagudu”                            ------------Telugu Verses “Grabbed from the haves Distributed to have-nots                                 That is Pandaga Sayanna Greater than Kings”. He grabbed, seized, robbed, and looted the wealth from big shots and distributed it equally among the poor, deprived, and have-nots. He along with his gang blocked the highways and looted the wealth. Who is he???? These are the first four lines of the first stanza of a heroic ballad on Pandugolla Sayanna sung by a Dakkali folk artist using the Kinnara Instrument. Pandugolla Sayanna or Pandaga Sayanna belongs to Palamooru also known as Mahaboobnagar District, Telangana Region, Andhra Pradesh. He was the Messiah of the poor. But for Pandugolla Sayanna   “The Poorest among the poor is not one”. Again, he called “women the poorest among the poor”. A Century ago, many poor could afford for two
Read more

Tamasha Folk Theatre of Maharashtra

-
Image
Tamasha is a traditional Marathi folk art form. It includes both singing and dancing forms. It is widely performed theatre groups within the state of Maharashtra, India. It is in fact a mobile theatre that goes to different regions of Maharashtra. The word ‘Tamasha’ is Persian origin meaning ‘to have fun or to play’. Today, this word is commonly used in Hindi, Marathi, Kannada and Urdu. Again, some have researched the origin of the word Tamasha to Turkish langaugeand has entered into urdu and finally borrowed from Urdu to Marathi. In Marathi the word Tamasha means 'A mixtures of specialized performances like dance, music, different enactements or roles by women or girls, participation of women, and singing lavanis'. I wonder how Persian or Turkish languages have influence Marathi. This folk art from is so very deep rooted in rural Maharashtra for more than eight-nine centuries that it is quite difficult to say when this Tamasha was first staged. This art form is cal
Read more

Oggu Katha - Oral Storytelling Theatrical Performance of Telangana

-
Image
Oggu Katha is a traditional folklore singing praising and narrating the stories of the Hindu God Mallana. Mallanna Katha which is performed by the Oggu Pujarulu (minstrels) to their patron community, the seven Kurumas / Gollas. Mallanna Katha is their caste myth, which narrates the exploits of Mallanna their caste hero. As the Mallanna Katha is narrated using a particular percussion instrument called as "Oggu" by "Oggu Pujarulu" it is popularly termed as Oggu Katha.  In other words, Oggu Katha is the style of narration, which belongs to a distinct genre with an admixture of song-speech-dance-sequence performed by 5 to 7 performers having a lead narrator within them. They also narrate stories on  Beerappa,  Yellamma, Pedaraasi Peddamma Katha. It is one of the well-known folk art forms of the Telangana region.  It originated among the Yadav & Kuruma Golla community, who devoted themselves to the singing of ballads in praise of Lord Siva. Oggu
Read more