Evergreen Teejan Bai-Pandavani Gayika


“What if our languages are different, we all have the common Mahabharata. What unites us as Indians and makes us proud inheritors of a rich culture is Rama, the destructor of evil, who later came as Krishna, to protect Dharma,”--says the Pandavani Gayika.

When performed before Smt Indira Gandhi then Prime Minister of India- who asked her " Tum Mahabharata Karathi Ho?" She replied spontaneously  " Nahi Madamji, Main to Mahabharath Sunathi hoon"

National and International renowned Recipient of Padmashree, Padma Bhushan, Twice D.Litt (Next month 3rd D.Litt) Sangeet Natak Academy Award and employee of Bhilai Steel Plant. One who can recite the whole Mahabharata in the form of Pandavani Lok Gatha.

Illiterate, Thumb impressor who has mastered writing her name with difficulty, loves to eat Paan (betal leaves)  and never gets exhorted of discussing folk art. Yes, or else she gets restless with normal conversation. She can hardly remember the names of the places and people but can put in the whole Mahabharata epic in her rich cultured shrill voice.

Who else can be this?


This is the one and only Folk artist from Schedule Tribe (Pardhi) of Chhattisgarh State of India- Smt TEEJAN BAI

Teejan Bai was born in the village Ganiyari, 14 km north of Bhilai to Chunuk Lal Pardhi and his wife Sukhwati. She Belongs to the Pardhi-Scheduled Tribe of Chhattisgarh state now earlier Madhya Pradesh state in India.

She grew up like a tomboy playing "gilli danda", "gotali", "gola barudh " , "Kabbadi" kind with boys. She uses to out win boys and always challenge them in games. Her early childhood was full of boyish pranks till one fine day, at night she heard her maternal grandfather singing Padndavani katha. She was drawn and for some time she forgot about everything and was immensely got engrossed in the "Draupadi Cheer Haran recitation" by her grandfather like a thunderbolt lighting strucking to her. When her grandfather asked her willingness to learn Pandavani Katha-she nodded in affirmative and started her regular class in learning this art form. This was not known to her parents. She then slowly started assisting her mother in household chores and then squeaked out at night to learn Pandavani Katha.

Pandavani Katha is similar to Harikatha-purely in folk style and folk form.  It is the folk oral narration of Mahabharata with Bhima as the Hero. When Teejan Bai started at the age of 13, she gave the performance without music accompanied. Later she incorporated musical instruments joining her rendition.

This art form was predominantly sung by males-It was Teejan who did break the convention and stated "God chooses everyone for one or the other purpose. He choose me to Pandavani Katha". She had to withstand the unwillingness of her parents her learn She was locked in a room for three days without food and water. She was thrown out of her home, and beaten by her mother, and her marriage was catastrophic, yet still she did not give up and continued to recite the katha. Teejan bai struggled between the personal and professional front and has indeed withstood the test of time. She was not accepted by her village, not just by gender discrimination but also by caste discrimination as she comes from a lower caste.

Teejan brings all the characters of Mahabharata like Krishna, Arjuna, Bheema, and Dushasana as she narrates with her thundering shrill voice and her tambura. The audience gets stuck and zipped to the narration and her throat rip-apart as she begins to narrate the war sequence. The Tambura and the strings represent goddess Saraswati, with the peacock feathers at its tail it representing Krishna, and it surprisingly transforms into Bheema’s menacing mace. “When I play Arjuna, it becomes a bow, and at times it even becomes a sword"-says Teejan Bai.

Her first performance came at the age of 13. From then it was no looking back. Teejan Bai, now an employee of the Bhilai Steel Plant is hardly seen in Bhilai. Most of the time she is touring throughout the world for giving performances. She has also trained some of the students irrespective of gender. Ritu Verma is one of her successors who has taken up this art form and gives spellbound performance and few others are also trained in this art form.

During the interaction session. Teejan Bai said, " My mother did not allow me to do three works as a child and later also-Washing utensils. washing clothes and sweeping floor", "she also did not feed me food with her own hands", "I longed for that, she would make my younger brothers and sister to eat with her own hands". "Mujhe bahut bura lagatha tha ki maa apne hathose mujhe nahin kilathi" . But today I realize that reason for keeping me away from three household chores and my mother not feeding me food with her own hands.

She designed her own costume look for this art form. As she is very fond of Red colour Chhattisgarh traditional saree with black colour puffed sleeve blouse. With all the other Silver ornaments decorative worn by her grandmother and dehati women that would weigh more than eight Kg-she choose as standard attire for her performance.






It was a memorable time for me during her recent visit to Sphoorthi Theatre. Along with local folklorists, Experts in Folk arts, media, and friends we arranged for a small felicitation ceremony at the Sphoorthi Theatre office. I can still feel the time, conversation, and ambiance that I had with her. I considered myself one of the fortunate's to whose place Teejan Bai visited and spent time. Typical White Saree with embroidery work done in Red as the border. Both hands full of adorable red and white combination glass bangles, bright red vermillion, sindoor, koyled eyes, lips painted in red, Jumkhas for ears--Oh!  she looked simply adorable. She then removed her 4" thick silver anklets in traditional design as her saree border was getting stuck very often. I just stood staring at her anklets.

One similarity between both of us is that I am also fond of thick anklets. Though I wear a 1" thick anklet, one thinner anklet, and a  kada. Of course, both of us artists-She is Pandavani gayika and I am a puppeteer!!

The moment I recollect the memorable moment with Teejan Bai-a kind of horripilation erupts all over!!!!

May the Almighty bestow good health on her!!!














The last picture is of Smt. Ritu Verma- Teejan Bai's desciple Pandavani Gayika

Comments

Jayadhir said…
It is so bad on Bhilai Steel Plant authority that Teejan Bai was enrolled as a Class IV employee. Now she is an officer on Promotion.
This is the reward for Folk artists given India. --Strange!!!

The same thing does not happen with sports personalities. They are given High posts and position. Why this disparity and discrimination???

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